Monday 12 March 2012

Inspiring Poet – Maya Angelou

Two inspiring poems and talks by Maya Angelou.

Angelou’s warning on losing one’s voice, “It’s dangerous to be silent. … Mutism is like a drug. It’ is so addictive because don’t need to do anything.”  Remember well!

I Know Why The Caged Bird Sings

The free bird leaps
on the back of the win
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.

The caged bird sings
with fearful trill
of the things unknown
but longed for still
and is tune is heard
on the distant hillfor the caged bird
sings of freedom

The free bird thinks of another breeze
an the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing

The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Sunday 26 February 2012

2012龍年台南城隍廟籤

陽世做事未和同
雲遮月色正朦朧
心中意欲前途去
只恐命內運未通

Marketing & SCRUM

Mr. Kuei proposed a SCRUM wall at home.

“How is it different from the Beautiful Mind”, I asked.

“No strings,” he said.

“But I like stringing objects together,” I said. “And do we have prettier options than white boards?”

He went mad, “You can’t be agile! And forget about a beautiful wall, it’s functional.”

“You don’t get it. Beauty is a transcendental knowledge. It elevates your level.”

The wall issue is not yet resolved.

Wednesday 18 May 2011

閱讀【海浪的記憶】

夏曼‧藍波安的【海浪的記憶】,催動著我思鄉的情潮,雖然我的家不在蘭嶼。

他的作品裡,參雜著一種原始卻真切的語言。光吃魚這件事,就道出許多親子之間與傳承。這讓我開始想念,小時候,媽媽煎的,稍微抹了鹽巴的,金黃酥脆的魚。

而我現在,還是不會煎魚,也沒有什麼可以傳遞下去。

記憶中,南台灣的臉般大肥厚的煎虱目魚,和巴掌大扁扁的不知名的魚。這就是生活在國外,我所失落的傳承和記憶嗎?

1177187485

Tuesday 17 May 2011

閱讀【酥油】

花了幾夜和周末的一些時間讀完【酥油】,吞噬文字到最後有點勉強。

雖然作者文筆流暢,情節編排緊湊,但【酥油】不論是以小說,或是半自傳性的創作文學定位,都無法打動我的心。

主人翁梅朵滿腔的熱血,自始至終,圍繞著以漢人為中心點的思考模式。這期間的敘事者的心路轉換十分薄弱。而西藏的孤兒問題,或者說西藏的靈魂,也只碰觸到表徵。

讀完【酥油】,覺得有點遺憾。這遺憾,就像梅朵和月光最終平行的生命一樣,我難以與這本書產生共鳴。我一開始期待被觸及感動,但我沒有。

Rating: **

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Sunday 8 May 2011

整理

我的心緒太忙碌了。忙碌到沒有辦法專注在當下,沒有辦法有效斷除一些無畏的煩惱與情緒。而新年下的希望,也沒有傾注毅力執行。

如何平衡和掌握自己?

該是認真修鍊瑜珈和靜心的時機了。

Wednesday 20 April 2011

Joan Miro @ Tate Modern

I am so in love with Miro’s paintings after viewing the exhibition at Tate Modern. I realise the selective work that I’d seen previously have not left me a just impression of this artist.

Through Tate’s collection gathered from various sources and collectors around the the world and spanninng across different times of Miro’s creative life, I discover that there is so much more warmth, humour, courage and energy – and all in very pure forms – in Miro’s work.  And seeing them in person is a real pleasure!

http://www.tate.org.uk/modern/exhibitions/joanmiro/default.shtm


Self-portrait, 1937/38-1960

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